1 00:00:19,352 --> 00:00:20,687 HEY, DANNY, 2 00:00:20,721 --> 00:00:22,858 SEE MY STAIN?COVERED UNIFORM? 3 00:00:22,891 --> 00:00:24,860 THAT�S OFF YOUR PARADE DETAIL? 4 00:00:24,893 --> 00:00:27,229 SOME IDIOT COVERED IN CRANKCASE OIL LEAPED 5 00:00:27,262 --> 00:00:30,599 OFF ONE OF THE PARADE FLOATS AND KEPT HUGGING ME. 6 00:00:30,633 --> 00:00:33,201 YOU PAY A PRICE FOR PERSONAL CHARISMA. 7 00:00:33,235 --> 00:00:36,038 WELL, IT�S LIKE I WAS WEARING A "HUG ME" SIGN. 8 00:00:36,071 --> 00:00:37,773 YEAH, ANDY AND ME ?? WE CAUGHT AN ASSAULT. 9 00:00:37,806 --> 00:00:39,141 I GUESS THESE COPS HANDLED THE JOB. 10 00:00:39,174 --> 00:00:41,043 YEAH, GOOD. 11 00:00:41,076 --> 00:00:42,778 HEY, NEIL. 12 00:00:42,811 --> 00:00:45,714 DANNY, HEY, DID YOU GUYS CATCH OUR ASSAULT? 13 00:00:45,748 --> 00:00:47,282 MIKEY SILVA? 14 00:00:47,315 --> 00:00:49,251 YEAH, THAT�S US. MY PARTNER, JOE BRADSHAW. 15 00:00:49,284 --> 00:00:50,886 HOW�S IT GOING, JOE? HOW YOU DOIN�? 16 00:00:50,919 --> 00:00:53,756 ANDY SIPOWICZ. HOW YOU DOIN�? 17 00:00:53,789 --> 00:00:56,291 YOU, UH, HANDLED OUR ASSAULT? 18 00:00:56,324 --> 00:00:58,661 COME ON. LET�S TALK OVER HERE. 19 00:01:03,932 --> 00:01:05,768 THE GUY�S IN THE O .R. RIGHT NOW. 20 00:01:05,801 --> 00:01:09,405 DOC SAYS IT�S A COIN FLIP IF HE GOES OUT OF THE PICTURE. 21 00:01:09,438 --> 00:01:11,974 YOU WANT TO BE LOOKING FOR A JERRY DePAULO. 22 00:01:12,007 --> 00:01:13,241 WE SAW HIM AND THIS SILVA INTO IT IN THE SAME ALLEY 23 00:01:13,275 --> 00:01:14,643 LIKE AN HOUR BEFORE. 24 00:01:14,677 --> 00:01:17,413 THEY WERE IN THE SAME ALLEY THROWING FISTS. 25 00:01:17,446 --> 00:01:19,615 NOTHING MAJOR, AND THERE�S 10 JOBS HOLDING IN THE PRECINCT, 26 00:01:19,648 --> 00:01:21,750 SO WE SENT JERRY DOWN THE ROAD. 27 00:01:21,784 --> 00:01:23,486 YEAH, THAT MIKEY GOT BELLIGERENT ON US. 28 00:01:23,519 --> 00:01:25,454 SON OF A BITCH SPITS IN MY FACE. 29 00:01:25,488 --> 00:01:26,922 SPITS IN YOUR FACE? 30 00:01:26,955 --> 00:01:29,124 MIKEY THAT�S UPSTAIRS IN THE O. R.? YEAH. 31 00:01:29,157 --> 00:01:30,726 WE HAD AN EXPLANATORY CONVERSATION 32 00:01:30,759 --> 00:01:32,260 IN THE ALLEY WITH MIKEY AFTERWARDS. 33 00:01:32,294 --> 00:01:33,896 NOTHING MAJOR? 34 00:01:33,929 --> 00:01:36,131 NAH, A MINOR TUNE?UP, SENT HIM ON HIS WAY. 35 00:01:36,164 --> 00:01:39,435 SO THAT�S IRRELEVANT TO WHAT HAPPENED SUBSEQUENT? 36 00:01:39,468 --> 00:01:41,570 THE MINOR TUNE?UP? NAH. NO, NO. 37 00:01:41,604 --> 00:01:44,573 IT�S JERRY DePAULO YOU�RE MAKING LIKELY FOR THE BEATING 38 00:01:44,607 --> 00:01:47,643 THAT PUT THIS GUY UPSTAIRS WITH THE COIN FLIP 39 00:01:47,676 --> 00:01:48,977 IF HE�S GOING TO LIVE. 40 00:01:49,011 --> 00:01:51,079 YEAH, THE NEIGHBORHOOD MOPE. HE MUST HAVE COME BACK. 41 00:01:51,113 --> 00:01:52,280 HERE�S HIS PLACES. 42 00:01:53,348 --> 00:01:54,750 YEAH, GOOD. 43 00:01:57,453 --> 00:01:58,787 ALL RIGHT, GUYS. 44 00:01:58,821 --> 00:02:00,656 YEAH, THANKS. 45 00:02:03,225 --> 00:02:05,761 YOU KNOW WHAT THEY JUST DID? 46 00:02:05,794 --> 00:02:08,731 YEAH. THEY OVER?COMMUNICATED. 47 00:02:11,800 --> 00:02:14,369 WE GOT TO MAKE OUT A FIVE, 48 00:02:14,403 --> 00:02:17,072 AND THIS GUY�S IN THE HOSPITAL OFF A BEATING, 49 00:02:17,105 --> 00:02:19,975 AND THEY TELL US THAT THEY JUST TUNED THIS GUY UP. 50 00:02:20,008 --> 00:02:21,610 THE OTHER COP ?? 51 00:02:21,644 --> 00:02:24,246 HE LOOKED EMBARRASSED THAT BAKER SAID ANYTHING. 52 00:02:24,279 --> 00:02:26,649 IF IT�S IRRELEVANT, THEN DON�T TELL US ABOUT IT. 53 00:02:26,682 --> 00:02:29,418 THEY GIVE US THIS BAG OF CRAP TO HOLD FOR NO GOOD REASON. 54 00:02:29,452 --> 00:02:30,686 [ PAGER BEEPS ] 55 00:02:30,719 --> 00:02:32,855 IT�S MY INFORMANT J. B. HE�S BEEPING ME 911. 56 00:02:32,888 --> 00:02:34,890 THIS BAKER ?? HE�S A TYPE. YOU KNOW, EVER SINCE WE LAID EYES ON HIM, 57 00:02:34,923 --> 00:02:37,125 HE�S HAD A CONSTANT SIGN AROUND HIS NECK ?? 58 00:02:37,159 --> 00:02:40,729 "HERE, HOLD MY UPCOMING BAGS OF CRAP." 59 00:02:40,763 --> 00:02:42,465 I�D BETTER CHECK OUT J. B., ANDY. 60 00:02:42,498 --> 00:02:44,633 HE�S BEEPING ME OVER TO OUR CRISIS COFFEE SHOP. 61 00:02:44,667 --> 00:02:46,535 GIVE ME THIS GUY�S PLACES 62 00:02:46,569 --> 00:02:48,136 THAT SUPPOSEDLY DID THE ASSAULT. 63 00:02:48,170 --> 00:02:50,138 YOU�RE GOING TO TAKE BAKER AND BRADSHAW WITH YOU, 64 00:02:50,172 --> 00:02:52,040 HAVE THEM POINT THE GUY OUT? 65 00:02:52,074 --> 00:02:53,809 I�LL GO BACK TO THE HOUSE AND GET HIS PICTURE. 66 00:02:53,842 --> 00:02:55,644 I DON�T WANT THEM DICKHEADS ANYWHERE NEAR THIS. 67 00:02:58,514 --> 00:03:00,282 HEY, ANDY, 68 00:03:00,315 --> 00:03:02,384 YOU GOT 10 SECONDS FOR A PERSONAL OBSERVATION? 69 00:03:02,418 --> 00:03:03,452 [ GRUNTS ] 70 00:03:03,486 --> 00:03:06,021 YOU ARE A VERY ATTRACTIVE MAN. 71 00:03:07,956 --> 00:03:10,192 I DON�T KNOW IF YOU�VE SHED WEIGHT 72 00:03:10,225 --> 00:03:12,628 OR WHAT IT IS, BUT... 73 00:04:43,852 --> 00:04:45,888 NOW. 74 00:04:45,921 --> 00:04:47,590 I GOT IT. 75 00:04:47,623 --> 00:04:49,958 �CAUSE HE STILL OWES FOR LAST WEDNESDAY. 76 00:04:49,992 --> 00:04:51,460 I GOT LAST WEDNESDAY. 77 00:04:51,494 --> 00:04:54,396 EGGS BENNY, HOME FRIES, CHOCOLATE MALT. 78 00:04:54,430 --> 00:04:55,397 YOU? 79 00:04:55,431 --> 00:04:56,765 JUST COFFEE. 80 00:04:56,799 --> 00:04:59,201 YO, YO, YO ?? AND A SIDE OF RANCH. 81 00:04:59,234 --> 00:05:00,636 [ HISSES ] 82 00:05:00,669 --> 00:05:02,605 VAMPIRE?LOOKING BITCH. 83 00:05:02,638 --> 00:05:04,607 I�M WORKING, J. B. 84 00:05:04,640 --> 00:05:06,975 BASED ON OBSERVATIONS I MADE LAST NIGHT, 85 00:05:07,009 --> 00:05:09,377 I NEED YOU TO VOUCH TO SOME COPS FOR ME. 86 00:05:09,412 --> 00:05:11,814 IF THAT�S NOT TOO MUCH TROUBLE. WHICH COPS? 87 00:05:11,847 --> 00:05:14,883 WHOEVER HAD SECTOR PATROL LAST NIGHT OFF LAFAYETTE. 88 00:05:14,917 --> 00:05:16,585 WHERE YOU SAW WHAT? 89 00:05:19,121 --> 00:05:22,124 YOUR BOYS ROLL UP ON TWO GUYS THROWING PUNCHES IN THE ALLEY. 90 00:05:22,157 --> 00:05:25,193 THE BOYS COOL IT OUT, WALK ONE OF THE GUYS AWAY. 91 00:05:25,227 --> 00:05:28,130 THE OTHER GUY LOOGIES IN ONE OF YOUR BOYS� FACES ?? 92 00:05:28,163 --> 00:05:29,965 I�M TALKING ABOUT A SEROUS LOOGIE: 93 00:05:29,998 --> 00:05:32,968 THE KIND WHERE YOU??YOU SNORT SNOT BACK AND YOU MIX IT UP WITH SPIT. 94 00:05:33,001 --> 00:05:34,369 AND WHAT DID THE COP DO? 95 00:05:34,403 --> 00:05:36,472 THEY WORKED OUT ON THE GUY THAT LAUNCHED THE LOOGIE 96 00:05:36,505 --> 00:05:39,975 TILL ONE SEES ME SEEING WHAT�S GOING ON FROM ACROSS THE STREET. 97 00:05:40,008 --> 00:05:42,377 HE GIVES ME THIS LASER DEATH RAY STARE. 98 00:05:42,411 --> 00:05:44,547 AND WHAT DO YOU DO? 99 00:05:44,580 --> 00:05:47,149 I RAN UP AND GAVE MY CARD TO EVERYONE INVOLVED. 100 00:05:47,182 --> 00:05:49,818 SO YOU SPLIT? I SPLIT. CORRECT. 101 00:05:49,852 --> 00:05:53,422 SO BEIN� YOU SPLIT, HOW DO YOU KNOW WHAT HAPPENED AFTER THE GUY SPIT? 102 00:05:53,456 --> 00:05:55,958 I DON�T KNOW WHAT HAPPENED AFTERWARD, PREVIOUS, OR DURING, 103 00:05:55,991 --> 00:05:57,460 IS WHAT I�D LIKE YOU TO TELL YOUR BOYS. 104 00:05:57,493 --> 00:05:59,562 NEVER MIND WHAT YOU�RE WILLING TO FORGET, J. B. 105 00:05:59,595 --> 00:06:02,030 ALL YOU KNOW, THESE COPS COULD HAVE DELIVERED A MINOR TUNE?UP, 106 00:06:02,064 --> 00:06:03,766 LEFT LOOGIE GUY IN THE ALLEY, AND HIS ASSHOLE BUDDY 107 00:06:03,799 --> 00:06:05,768 COULD HAVE COME BACK FOR ROUND TWO. 108 00:06:05,801 --> 00:06:08,136 I TAKE IT THE LOOGIE GUY GOT HURT. 109 00:06:08,170 --> 00:06:10,939 THE LOOGIE GUY GOT HURT REAL BAD. 110 00:06:10,973 --> 00:06:14,109 HIS ASSHOLE BUDDY DEFINITELY COULD HAVE COME BACK, 111 00:06:14,142 --> 00:06:16,645 AND THOSE COPS ABSOLUTELY COULD HAVE CALMED DOWN, 112 00:06:16,679 --> 00:06:20,248 KEPT IT TO A MINOR TUNE?UP, AND LEFT THE GUY ?? 113 00:06:20,282 --> 00:06:21,984 ABSOLUTELY. 114 00:06:22,017 --> 00:06:24,052 ALL RIGHT, GOOD. NOW, LAST WEDNESDAY, 115 00:06:24,086 --> 00:06:26,555 DID YOU DINE ALONE OR TREAT A WHOLE TROOP? 116 00:06:26,589 --> 00:06:29,958 IT WAS, LIKE, $12. 117 00:06:29,992 --> 00:06:32,595 YO, YO, YO, DANNY, CAN YOU LEAVE THE WHOLE $20? 118 00:06:32,628 --> 00:06:34,430 I THINK I GOT A CHANCE. 119 00:06:50,913 --> 00:06:52,648 HEY, DIANE, 120 00:06:52,681 --> 00:06:56,051 I WANT TO RUN SOMETHING PAST YOU. 121 00:06:56,084 --> 00:06:57,986 OKAY. I WANT YOUR HONEST OPINION, 122 00:06:58,020 --> 00:07:00,889 NOT WHAT YOU THINK I WANT YOU TO TELL ME. 123 00:07:00,923 --> 00:07:02,858 WITH KYLE�S FIRST COMMUNION COMING UP, 124 00:07:02,891 --> 00:07:05,127 I�VE BEEN DEALING WITH DON A LOT MORE REGULARLY. 125 00:07:05,160 --> 00:07:07,229 DON? 126 00:07:07,262 --> 00:07:11,567 YEAH, HE�S BEEN VERY, UM, HELPFUL AND RELIABLE. 127 00:07:11,600 --> 00:07:14,369 THAT�S GOOD FOR KYLE, YOU KNOW, TO SEE THAT EXAMPLE ?? YEAH. 128 00:07:14,403 --> 00:07:16,271 FOR KYLE AND FRANK BOTH. 129 00:07:16,304 --> 00:07:18,040 YEAH, AND, UH, 130 00:07:18,073 --> 00:07:20,409 I�M, UM, ENTERTAINING THE IDEA 131 00:07:20,443 --> 00:07:24,279 OF POSSIBLY SEEING HIM SOCIALLY. 132 00:07:24,312 --> 00:07:28,717 HMM. IS THAT WHAT YOU WANT MY HONEST OPINION ABOUT? 133 00:07:28,751 --> 00:07:32,254 WELL, DIANE, HE�S LIKE THE GUY I ALWAYS KNEW HE COULD BE IF HE GREW UP A LITTLE. 134 00:07:32,287 --> 00:07:34,723 LIKE WHEN HE SAYS HE�S GOING TO PICK UP THE BOYS AT 10:00, 135 00:07:34,757 --> 00:07:36,959 HE�S THERE AT 9:59. 136 00:07:36,992 --> 00:07:39,094 NOW, HE�S EVIDENTLY WORKING. 137 00:07:39,127 --> 00:07:40,529 WHAT DOES THAT MEAN? 138 00:07:40,563 --> 00:07:42,130 WELL, HE HAS INCOME. 139 00:07:42,164 --> 00:07:44,132 I MEAN, HE�S A PARTIAL PARTNER 140 00:07:44,166 --> 00:07:45,768 IN A DISTRIBUTORSHIP. 141 00:07:45,801 --> 00:07:48,937 AND, NO, I HAVEN�T ASKED HIM FOR DETAILS. 142 00:07:48,971 --> 00:07:50,706 WHY BURDEN YOURSELF WITH THAT INFORMATION? 143 00:07:50,739 --> 00:07:53,141 WHAT AM I GOING TO DO? 144 00:07:53,175 --> 00:07:56,412 HE�S THE ONLY ONE WHO GOT ME TO FEEL THIS. 145 00:07:58,113 --> 00:08:01,249 YOU DON�T THINK HE DESERVES ?? 146 00:08:01,283 --> 00:08:03,486 A SIXTH CHANCE? 147 00:08:03,519 --> 00:08:05,187 HI, DANNY. 148 00:08:05,220 --> 00:08:06,722 Diane: HI. 149 00:08:06,755 --> 00:08:08,356 Danny: HOW�S IT GOING? 150 00:08:08,390 --> 00:08:09,692 ANDY BACK YET? 151 00:08:09,725 --> 00:08:12,060 HE�S GOT SOME SKELL IN THE POKEY. 152 00:08:12,094 --> 00:08:13,762 I ASSUME IT�S CONNECTED WITH YOUR ASSAULT. 153 00:08:13,796 --> 00:08:15,764 YEAH, IT�S GONNA BE A MUTT NAMED JERRY. 154 00:08:15,798 --> 00:08:17,533 YOU LIKE HIM FOR THE ASSAULT ON THE CASE YOU CAUGHT? 155 00:08:17,566 --> 00:08:19,067 I HOPE SO, YOU KNOW? 156 00:08:19,101 --> 00:08:21,437 LET ME GO PISS. 157 00:08:21,470 --> 00:08:23,338 ABSOLUTELY. 158 00:08:27,443 --> 00:08:29,412 I GUESS I WANTED YOUR OPINION 159 00:08:29,445 --> 00:08:32,280 IF IT WAS THE OPINION I WANTED YOU TO HAVE. 160 00:08:32,314 --> 00:08:34,450 YOU DON�T HAVE TO MAKE A LOGICAL CASE 161 00:08:34,483 --> 00:08:36,719 FOR WANTING TO BE HAPPY. 162 00:08:36,752 --> 00:08:40,022 WELL, IT�S NOT LIKE WE GET THAT MANY TIMES AT BAT. 163 00:08:40,055 --> 00:08:42,124 NO. 164 00:08:42,157 --> 00:08:44,893 THANKS. 165 00:08:48,497 --> 00:08:49,632 [ DOOR SHUTS ] 166 00:08:52,267 --> 00:08:53,802 LAST NIGHT ?? 167 00:08:53,836 --> 00:08:57,105 START AROUND 7:00? 168 00:08:57,139 --> 00:08:58,974 I�M AT MY GIRLFRIEND�S APARTMENT, 169 00:08:59,007 --> 00:09:00,909 BUT WE GET INTO IT. 170 00:09:00,943 --> 00:09:02,778 SHE�S SCREAMING AND DISRESPECTING ME, 171 00:09:02,811 --> 00:09:04,947 HER KID�S CRYING ?? 172 00:09:04,980 --> 00:09:06,949 PAGE TWO, YOU KNOW WHAT I�M SAYING? YEAH. 173 00:09:06,982 --> 00:09:08,817 DROPPED BY THE SPINNING WHEEL, 174 00:09:08,851 --> 00:09:10,919 HAD A FEW DRINKS, SHOT SOME POOL. 175 00:09:10,953 --> 00:09:12,621 LIKE MAYBE 10:30, 11:00, 176 00:09:12,655 --> 00:09:14,890 I GET INTO IT WITH POODLEHEAD MIKEY. 177 00:09:14,923 --> 00:09:16,625 I�M SHOOTING 9?BALL, 178 00:09:16,659 --> 00:09:18,561 IN WALKS THE POODLE 179 00:09:18,594 --> 00:09:20,195 BROWN?BAGGING SOME THUNDERBIRD, 180 00:09:20,228 --> 00:09:22,765 PUTS TWO QUARTERS ON THE TABLE, CALLS NEXT. 181 00:09:22,798 --> 00:09:25,200 I�M, LIKE, "WITH ALL THIS DISCRETIONARY INCOME, 182 00:09:25,233 --> 00:09:27,235 WHERE�S THE 20 YOU OWE ME?" 183 00:09:27,269 --> 00:09:29,938 HE TELLS ME, "DON�T WORRY ABOUT IT," 184 00:09:29,972 --> 00:09:32,040 LIKE I�M LICE ON HIS HAIR PIE. 185 00:09:32,074 --> 00:09:34,309 POODLEHEAD MIKEY, PLAYING ME OFF. 186 00:09:34,342 --> 00:09:35,778 IT�S ON. 187 00:09:35,811 --> 00:09:37,646 HEY, BUT I AIN�T BUSTING UP THE SPINNING WHEEL ?? 188 00:09:37,680 --> 00:09:39,615 IT�S THE LAST PLACE WITH A POOL TABLE I AIN�T 86�d. 189 00:09:39,648 --> 00:09:43,218 ULTIMATELY, WE WIND UP IN THE ALLEY OFF LAFAYETTE. 190 00:09:43,251 --> 00:09:46,188 I DON�T SEE NO MARKS ON YOU. DID YOU KICK MIKEY�S ASS? 191 00:09:46,221 --> 00:09:49,191 BELIEVE ME, I�D HAVE KICKED MIKEY�S ASS UP AND DOWN THAT ALLEY. 192 00:09:49,224 --> 00:09:50,926 EXCEPT WHAT? 193 00:09:50,959 --> 00:09:53,095 NOTHING. THE COPS BROKE IT UP. 194 00:09:53,128 --> 00:09:54,930 YOU DIDN�T KICK MIKEY�S ASS? 195 00:09:54,963 --> 00:09:57,132 HEY, IF THAT LOSER, DEADBEAT, JUICEHEAD 196 00:09:57,165 --> 00:09:59,301 IS FILING A COMPLAINT AGAINST ME, 197 00:09:59,334 --> 00:10:00,736 I MAYBE NICKED HIS LIP. 198 00:10:05,774 --> 00:10:08,210 ALL RIGHT, AND THEN WHAT, JERRY? 199 00:10:08,243 --> 00:10:10,078 SHE CALMED DOWN. 200 00:10:10,112 --> 00:10:12,615 SHE GAVE THE KID SOME PAREGORIC ?? 201 00:10:12,648 --> 00:10:14,650 YOU RUB IT ON THEIR GUMS, THEY DOZE RIGHT OFF. 202 00:10:14,683 --> 00:10:17,052 YOU�RE SAYING ONCE THE COPS BREAK YOU AND MIKEY UP, 203 00:10:17,085 --> 00:10:18,787 YOU WENT STRAIGHT BACK TO YOUR GIRLFRIEND? 204 00:10:18,821 --> 00:10:20,789 SHE�S GOING TO REMEMBER THAT, TOO. 205 00:10:20,823 --> 00:10:22,558 I GAVE HER A LITTLE LOVE REMINDER, 206 00:10:22,591 --> 00:10:24,092 AND MIDWAY, SHE WOKE UP. 207 00:10:30,433 --> 00:10:32,400 DID YOU HEAR FROM THE HOSPITAL? 208 00:10:32,435 --> 00:10:34,770 CAN WE TALK TO THIS MIKEY YET? 209 00:10:34,803 --> 00:10:36,539 GAY JOHN�S FINDING OUT. 210 00:10:36,572 --> 00:10:39,408 I�LL TELL YOU WHAT ELSE, ANDY. 211 00:10:39,442 --> 00:10:40,809 MY INFORMANT J. B. ?? 212 00:10:40,843 --> 00:10:42,745 HE SAYS THAT HE SAW THE TUNE?UP 213 00:10:42,778 --> 00:10:45,247 THAT BAKER AND BRADSHAW WERE PUTTING ON THIS MIKEY, 214 00:10:45,280 --> 00:10:47,382 AND BAKER AND BRADSHAW SAW HIM. 215 00:10:47,416 --> 00:10:50,453 MAYBE THAT�S WHY THEY GIVE US A CASUAL MENTION 216 00:10:50,486 --> 00:10:53,088 THEY PUT A MINOR BEATING ON HIM. 217 00:10:53,121 --> 00:10:56,459 KNOWING SOMEONE ELSE MIGHT TELL US ANYWAY. 218 00:11:00,629 --> 00:11:03,766 EXCUSE ME. 219 00:11:06,234 --> 00:11:07,870 D.O.A. 220 00:11:07,903 --> 00:11:09,805 POODLEHEAD MIKEY�S DEAD? 221 00:11:09,838 --> 00:11:11,607 THE HOSPITAL SAID MICHAEL SILVA DIED. 222 00:11:11,640 --> 00:11:13,108 IS ?? IS THAT POODLEHEAD? 223 00:11:13,141 --> 00:11:14,643 YEAH, THAT�S HIS NICKNAME ?? "POODLEHEAD." 224 00:11:14,677 --> 00:11:17,212 THANKS FOR THE GOOD NEWS. 225 00:11:17,245 --> 00:11:18,914 SORRY. 226 00:11:21,083 --> 00:11:23,952 GO BACK TO THE ALLEY AND RE?CANVASS. 227 00:11:23,986 --> 00:11:25,654 OH, BROTHER. 228 00:11:41,336 --> 00:11:44,072 WHOEVER TURNED POODLEHEAD MIKEY�S LIGHTS OUT 229 00:11:44,106 --> 00:11:47,075 WASN�T WORRYING ABOUT POSSIBLE SPECTATORS. 230 00:11:47,109 --> 00:11:48,777 IT�S THE DAY CORP SECTOR CAR. 231 00:11:48,811 --> 00:11:51,914 COPS ?? YOU�D THINK THEY�D TAKE THE GUY TO ONE SIDE. 232 00:11:51,947 --> 00:11:54,783 YOU BEAT A GUY SO BAD HE CROAKS, YOU�RE NOT USING THE CAUTIOUS PART OF YOUR BRAIN. 233 00:11:54,817 --> 00:11:56,419 STOPPED ON A DIME, HUH? 234 00:11:56,452 --> 00:11:58,754 YOU GUYS CATCH THE ASSAULT FROM LAST NIGHT? 235 00:11:58,787 --> 00:12:01,590 IT�S A HOMICIDE NOW. 236 00:12:01,624 --> 00:12:03,459 I�M DANNY SORENSON. THIS IS ANDY SIPOWICZ. 237 00:12:03,492 --> 00:12:05,293 MARY FRANCO. ED LAUGHLIN. 238 00:12:05,327 --> 00:12:06,929 Danny: HOW�S IT GOIN�? 239 00:12:06,962 --> 00:12:08,764 I HEARD MAYBE YOU CAUGHT A GROUND BALL. 240 00:12:08,797 --> 00:12:11,299 REALLY? THEY GOT A WEB SITE UP ON THIS CASE? 241 00:12:11,333 --> 00:12:13,268 THIS WOMAN LIVES UP THERE ?? 242 00:12:13,301 --> 00:12:15,103 SHE�S PARTLY CLOUDY, BUT SHE�S USUALLY LOOKING OUT. 243 00:12:15,137 --> 00:12:16,138 YOU KNOW HER NAME? 244 00:12:16,171 --> 00:12:17,806 [ WHISTLES ] 245 00:12:17,840 --> 00:12:20,409 SARA! 246 00:12:20,443 --> 00:12:21,944 I SAW YOU PEEKING. 247 00:12:21,977 --> 00:12:24,046 LUCKY NOTHING SHATTERED. 248 00:12:24,079 --> 00:12:26,415 I WOULDN�T WANT TO GET YOU STIRRED UP. 249 00:12:26,449 --> 00:12:27,816 WHAT? 250 00:12:27,850 --> 00:12:29,317 WHAT? WHAT? 251 00:12:29,351 --> 00:12:31,153 GET DOWN HERE! 252 00:12:31,186 --> 00:12:32,421 I�M NUDE! 253 00:12:32,455 --> 00:12:36,024 GET DRESSED AND GET YOUR ASS DOWN HERE, SARA. 254 00:12:36,058 --> 00:12:38,794 WHAT�S HER ACT? SPEED FREAK. 255 00:12:38,827 --> 00:12:41,630 NO. �CAUSE JOEY BRADSHAW SAID ON A PREVIOUS CIRCUIT, 256 00:12:41,664 --> 00:12:44,066 LIKE AN HOUR BEFORE THEY FOUND THIS GUY, 257 00:12:44,099 --> 00:12:46,535 THEY BROKE UP A BEEF BETWEEN THIS GUY AND SOME MOPE. 258 00:12:46,569 --> 00:12:48,704 AND THEY FIGURED THE MOPE FOR THE GUY COMIN� BACK AND DOING THIS. 259 00:12:48,737 --> 00:12:50,906 OH, YEAH. WE�RE LOOKIN� INTO THAT. 260 00:12:50,939 --> 00:12:52,575 LOOK, I WENT THROUGH THE ACADEMY WITH JOEY BRADSHAW. 261 00:12:52,608 --> 00:12:53,809 YOU DID, HUH? 262 00:12:53,842 --> 00:12:55,478 HEY, HE�S A GOOD GUY. A GOOD COP. 263 00:12:55,511 --> 00:12:57,880 THAT�S SOME ENDORSEMENT THERE, ED. Mary: THERE SHE IS. 264 00:12:57,913 --> 00:13:00,583 I�M JUST SAYING IF JOEY BRADSHAW�S GOT AN OPINION ON SOMETHING, 265 00:13:00,616 --> 00:13:02,217 IT�S WORTH PAYING ATTENTION TO. 266 00:13:02,250 --> 00:13:04,487 Sara: I�M BUSY, ALL RIGHT? 267 00:13:04,520 --> 00:13:06,555 Mary: WHY DON�T YOU TELL THEM WHAT YOU SAW LAST NIGHT? 268 00:13:06,589 --> 00:13:08,624 WHO SAID I SAW ANYTHING? 269 00:13:08,657 --> 00:13:09,925 I�LL DENY IT WAS MY VOICE. 270 00:13:09,958 --> 00:13:11,594 IT IS COMING OUT OF YOUR MOUTH. 271 00:13:11,627 --> 00:13:14,396 CALL 911 LAST NIGHT? I�LL DENY IT WAS ME. 272 00:13:14,430 --> 00:13:17,299 NO ONE�S GOING TO JAM YOU UP. YOU GOING TO PUT ME IN RESTRAINTS? 273 00:13:17,332 --> 00:13:19,267 NO ONE�S LOOKIN� TO PUT YOU IN RESTRAINTS. 274 00:13:19,301 --> 00:13:20,936 I�M DANNY SORENSON, SARA. 275 00:13:20,969 --> 00:13:22,871 WHY DON�T WE TALK AT THE STATION HOUSE? 276 00:13:22,905 --> 00:13:25,874 I�M CLEANING THE TILES IN MY SHOWER. ALL RIGHT, THAT�LL WAIT. 277 00:13:25,908 --> 00:13:28,544 COME ON. WE�LL GET YOU BACK IN A LITTLE WHILE. 278 00:13:28,577 --> 00:13:31,079 WE�LL BUY YOU ONE OF THEM LITTLE BRUSHES GOOD FOR CLEANING THE CORNER GROUT. 279 00:13:31,113 --> 00:13:33,115 ORAL B ?? WITH THE RUBBER GUM TIP? 280 00:13:33,148 --> 00:13:34,850 BRAND OF YOUR CHOICE. 281 00:13:47,295 --> 00:13:49,397 HEY, DANNY. 282 00:13:49,432 --> 00:13:51,199 WHAT�S GOING ON, NEIL? 283 00:13:51,233 --> 00:13:53,769 THAT POODLEHEAD MIKEY WENT OUT OF THE PICTURE. YEAH, WE HEARD. 284 00:13:53,802 --> 00:13:55,704 YEAH, WE JUST GOT BACK FROM THE HOSPITAL. 285 00:13:55,738 --> 00:13:57,740 WHAT ARE YOU, VOUCHERING HIS STUFF? 286 00:13:57,773 --> 00:13:59,608 YEAH, WE�RE VOUCHERIN� IT NOW. 287 00:13:59,642 --> 00:14:01,610 HEY, ED. HEY, MARY. YEAH. HOW�S IT GOIN�? 288 00:14:01,644 --> 00:14:03,646 GET THAT GIRL A CANDY BAR. 289 00:14:03,679 --> 00:14:05,380 I DON�T WANT TO EAT. YOU DON�T HAVE TO EAT. 290 00:14:05,414 --> 00:14:07,049 WE�RE GONNA GET HER A MARS BAR. 291 00:14:07,082 --> 00:14:08,717 HOW�D WE DO WITH JERRY? 292 00:14:08,751 --> 00:14:10,919 OH, WE DID FINE. 293 00:14:10,953 --> 00:14:12,888 DO WE LIKE HIM? NEIL. 294 00:14:12,921 --> 00:14:14,089 I�M SCARED. 295 00:14:14,122 --> 00:14:16,692 YOU GOT A PROBLEM WITH "WE"? 296 00:14:16,725 --> 00:14:18,627 AREN�T WE ON THE SAME JOB? 297 00:14:18,661 --> 00:14:21,063 YES WE ARE. THAT�S WHY I KNOW YOU�RE GOING TO UNDERSTAND 298 00:14:21,096 --> 00:14:23,866 US HEADING UP THOSE STAIRS TO DO OUR PART. 299 00:14:23,899 --> 00:14:25,634 ED, WOULD YOU COME WITH US ALSO, PLEASE? 300 00:14:25,668 --> 00:14:27,770 FOR WHAT? I NEED TO ASK YOU A QUESTION. 301 00:14:29,938 --> 00:14:31,874 WHAT�S THIS CONFRONTATIONAL TONE? 302 00:14:31,907 --> 00:14:34,142 OH, THAT�S A MISREAD, NEIL. 303 00:14:34,176 --> 00:14:36,078 I DON�T NOW. HE SEEMED A LITTLE CONFRONTATIONAL. 304 00:14:36,111 --> 00:14:38,447 NO, HE�S JUST LOOKING TO TALK TO THIS GIRL. 305 00:14:38,481 --> 00:14:41,049 SHE�S GOT A SPACESHIP TO CATCH. OH, YEAH? 306 00:14:41,083 --> 00:14:43,852 SHE�S GOT AN INTERSTELLAR TRAVEL AGENT. 307 00:14:50,926 --> 00:14:52,861 SO WHAT DO YOU WANT TO ASK ME? 308 00:14:52,895 --> 00:14:55,598 I�M NOT PREPARED TO ASK YOU YET. WHAT IS THAT SUPPOSED TO MEAN? 309 00:14:55,631 --> 00:14:58,701 IT MEANS AT THIS IMMEDIATE INSTANT, I AM NOT READY TO ASK YOU. 310 00:14:58,734 --> 00:15:01,036 THEY�RE ARGUING. IT�S NOT YOUR PROBLEM. 311 00:15:01,069 --> 00:15:03,539 I�M GOING BACK DOWNSTAIRS. NO, ED. 312 00:15:03,572 --> 00:15:05,541 WHAT THE HELL ARE YOU PEOPLE TRYING TO PULL HERE? 313 00:15:05,574 --> 00:15:09,277 NOTHING. WE�RE TRYING TO FIND OUT WHO CROAKED THIS D. O. A. 314 00:15:09,311 --> 00:15:11,814 YOUR PRESENCE HERE AND NOT DOWNSTAIRS IS A COMFORT TO US. 315 00:15:20,923 --> 00:15:24,460 GO AHEAD AND SIT DOWN. YOU SIT BY SARA. 316 00:15:24,493 --> 00:15:26,729 WHAT AM I SUPPOSED TO DO? 317 00:15:26,762 --> 00:15:29,131 YOU SIT THERE AND PLAY WITH THE FINGERPRINT MATERIALS. 318 00:15:29,164 --> 00:15:32,768 I RECOGNIZE THOSE OTHER COPS. THE ONES WE WERE TALKIN� TO DOWNSTAIRS? 319 00:15:32,801 --> 00:15:35,404 THEY WERE IN THE ALLEY LAST NIGHT. THEY SAID THEY WERE IN THE ALLEY LAST NIGHT. 320 00:15:35,438 --> 00:15:37,873 HEY, YOU BELIEVE I�M KIDDING WHEN I TELL YOU TO BE STILL? 321 00:15:37,906 --> 00:15:40,709 YEAH, WELL, EVER SINCE WE WALKED INTO THIS STATION HOUSE, I RESENT THE THRUST ?? 322 00:15:40,743 --> 00:15:42,110 YOU THINK I�M KIDDING YOU? 323 00:15:42,144 --> 00:15:44,046 I�M GETTING FRIGHTENED. IT�S ALL RIGHT, SARA. 324 00:15:44,079 --> 00:15:46,148 EVERYTHING�S OKAY. YOU GOT NOTHIN� TO BE SCARED ABOUT. 325 00:15:46,181 --> 00:15:47,716 I DON�T WANT TO BE PUT IN RESTRAINTS. 326 00:15:47,750 --> 00:15:49,217 WOULD YOU GET HER OFF OF THAT? 327 00:15:49,251 --> 00:15:51,420 HOW ABOUT YOU LOWER THE TEMPERATURE JUST A LITTLE? 328 00:15:51,454 --> 00:15:53,255 OH, ABSOLUTELY. THERMOMETER�S YOURS. 329 00:15:53,288 --> 00:15:55,558 I�VE BEEN HONEST WITH YOU, RIGHT, SARA? 330 00:15:55,591 --> 00:15:58,427 SO ALL YOU NEED TO DO IS SAY WHAT YOU SAW LAST NIGHT, 331 00:15:58,461 --> 00:16:01,363 AND THEN YOU GO HOME JUST LIKE I PROMISED. 332 00:16:01,396 --> 00:16:03,732 I BET YOU�RE EVEN GOING TO HAVE A FEW DOLLARS IN YOUR POCKET. 333 00:16:03,766 --> 00:16:06,301 YEAH, LIKE THAT AIN�T GOING TO GO FOR CRYSTAL METH. 334 00:16:06,334 --> 00:16:08,871 YEAH, GO AHEAD, MARY. YOU THINK WE KNOW WHAT THE PLAY IS HERE? 335 00:16:08,904 --> 00:16:10,305 Sara: THEY BEAT HIM UP. 336 00:16:10,338 --> 00:16:12,541 WHO DID, SARA? 337 00:16:12,575 --> 00:16:14,042 THOSE COPS DOWNSTAIRS. 338 00:16:14,076 --> 00:16:16,645 THEY BEAT HIM UP, AND THEY LEFT HIM. 339 00:16:16,679 --> 00:16:19,982 AFTER A WHILE, THEY CAME BACK UNTIL THE AMBULANCE CAME. 340 00:16:20,015 --> 00:16:22,485 AND YOU DIDN�T SEE NO ONE ELSE IN THAT ALLEY? 341 00:16:22,518 --> 00:16:24,820 BEFORE THE COPS CAME THE FIRST TIME, 342 00:16:24,853 --> 00:16:27,856 THE GUY THE COPS BEAT UP WAS GOING TO FIGHT ANOTHER GUY. 343 00:16:27,890 --> 00:16:30,225 ALL RIGHT, AND THEN BETWEEN THE TIME THE COPS BEAT UP THE GUY 344 00:16:30,258 --> 00:16:32,360 AND THE COPS CAME BACK, WHO ELSE DID YOU SEE? 345 00:16:32,394 --> 00:16:34,897 WHO ELSE CAME IN AND BEAT THE GUY? NOBODY. 346 00:16:34,930 --> 00:16:36,632 YOU WERE WATCHING THE WHOLE TIME? 347 00:16:36,665 --> 00:16:38,266 THE WHOLE TIME. 348 00:16:38,300 --> 00:16:41,069 WHEN YOU WEREN�T SHOOTING CRYSTAL METH, HUH? 349 00:16:41,103 --> 00:16:45,040 I SNORT, AND I KEPT WATCHING, EXCEPT ONCE I WENT TO PEE. 350 00:16:45,073 --> 00:16:47,275 YEAH, HOW LONG DID THAT TAKE? 351 00:16:47,309 --> 00:16:49,077 I WENT TO PEE. 352 00:16:49,111 --> 00:16:51,313 SO, WHAT, A MINUTE? HOWEVER LONG IT TAKES ME. I NEVER TIMED IT. 353 00:16:51,346 --> 00:16:53,048 THAT�S THE ONLY TIME YOU WEREN�T LOOKING, RIGHT? 354 00:16:53,081 --> 00:16:54,617 YOU WEREN�T CLEANING OR ANYTHING, SARA? 355 00:16:54,650 --> 00:16:57,285 YOU WEREN�T SCRUBBING YOUR BATHROOM TILES? 356 00:16:57,319 --> 00:16:59,121 WHAT DO YOU WANT ME TO SAY? 357 00:16:59,154 --> 00:17:00,789 TO THE BEST OF MY RECOLLECTION, NO. 358 00:17:00,823 --> 00:17:03,559 WHAT IS THIS, PAYBACK, SARA? 359 00:17:03,592 --> 00:17:05,428 DID SOME COP JAM YOU UP? 360 00:17:05,461 --> 00:17:08,263 I�M SORRY. IT TOOK ME TOO LONG TO CALL 911. 361 00:17:08,296 --> 00:17:09,932 [ WHIMPERING ] 362 00:17:09,965 --> 00:17:11,834 COME ON. 363 00:17:26,348 --> 00:17:29,918 LAUGHLIN, THAT CANDIDATE FOR THE HOMICIDE 364 00:17:29,952 --> 00:17:32,287 THAT BAKER AND BRADSHAW GAVE YOU? 365 00:17:32,320 --> 00:17:33,856 HE ALIBIS OUT. 366 00:17:33,889 --> 00:17:35,958 PLUS BAKER AND BRADSHAW SAW A C.I. OF MINE 367 00:17:35,991 --> 00:17:38,060 WATCHING THEM PUT THE BEATING ON MIKEY. 368 00:17:38,093 --> 00:17:40,228 WHICH IS WHY THEY GET IN FRONT OF THEIR STORY ?? 369 00:17:40,262 --> 00:17:42,765 SAYING THEY TUNED THE GUY UP, BUT JUST GAVE HIM A COUPLE OF BRUISES. 370 00:17:42,798 --> 00:17:45,434 HEY, YOU�RE SUPPOSED TO GO TO BAT FOR GUYS YOU WORK WITH. 371 00:17:45,468 --> 00:17:47,102 BOTH OF US RESPECT THAT. 372 00:17:47,135 --> 00:17:49,071 Sipowicz: THE SCALES ARE TIPPING PRETTY BAD HERE, 373 00:17:49,104 --> 00:17:51,306 AND YOU CAN�T BE KEEPING THE TWO OF THEM UP TO SPEED. 374 00:17:51,339 --> 00:17:54,076 WELL, WHAT, AM I SUPPOSED TO STAY UPSTAIRS, 375 00:17:54,109 --> 00:17:55,478 I�M SUPPOSED TO SNEAK OUT THE BACK WAY? 376 00:17:55,511 --> 00:17:56,512 [ CLEARS THROAT ] 377 00:18:00,348 --> 00:18:02,117 IT MIGHT NOT BE A BAD IDEA, IF YOU WANT. 378 00:18:04,520 --> 00:18:06,655 SHE WANTS TO GO HOME. 379 00:18:06,689 --> 00:18:08,724 WE GOT TO GET A WRITTEN STATEMENT. THANKS. 380 00:18:08,757 --> 00:18:10,726 DON�T THANK ME FOR JAMMING UP COPS. 381 00:18:10,759 --> 00:18:11,894 HEY, EDDIE. 382 00:18:11,927 --> 00:18:13,629 Ed: HEY, NEIL. 383 00:18:13,662 --> 00:18:15,097 SHE GOT ANYTHING FOR US? 384 00:18:15,130 --> 00:18:17,466 I GOT TO GO TO THE JOHN. 385 00:18:17,500 --> 00:18:19,735 HEY, MARY. HEY, NEIL. 386 00:18:19,768 --> 00:18:21,704 HER APARTMENT LOOKS OVER THAT ALLEY. 387 00:18:21,737 --> 00:18:23,238 YEAH, HUH? SHE GOT ANYTHING, 388 00:18:23,271 --> 00:18:25,240 SEE WHAT WENT DOWN LAST NIGHT? 389 00:18:25,273 --> 00:18:27,242 SHE�S HALF A WACK JOB, YOU KNOW? 390 00:18:27,275 --> 00:18:28,877 HALF?WACKY ON SPEED. 391 00:18:28,911 --> 00:18:30,579 YEAH, HUH? 392 00:18:30,613 --> 00:18:35,083 SO FAR SHE SAW 50?FOOT DUELING CENTIPEDES. 393 00:18:35,117 --> 00:18:37,886 [ CHUCKLES ] SO, IN OTHER WORDS, SHE�S A HALF A WACK JOB. 394 00:18:37,920 --> 00:18:41,189 OH, SHE�S MORE LIKE A SHORT BUS RIDE FROM A TOTAL WACK JOB. 395 00:18:41,223 --> 00:18:45,027 SHE RECOGNIZE ME AND BRADSHAW FROM BEING THERE LAST NIGHT? MAKE EVEN THAT MUCH SENSE? 396 00:18:45,060 --> 00:18:47,763 TO DETERMINE THAT, YOU�D HAVE TO PRETEND 397 00:18:47,796 --> 00:18:50,633 YOU GOT 50 LEGS ON EITHER SIDE OF YOUR BODY. [ CHUCKLES ] 398 00:18:50,666 --> 00:18:53,335 WAVE MY ARMS LIKE I�M A CENTIPEDE, HUH? YEAH. [ CHUCKLES ] 399 00:18:55,303 --> 00:18:56,939 HEY, JOEY. 400 00:18:56,972 --> 00:18:59,274 ANYWAY, LET US GET BACK IN WITH HER. 401 00:18:59,307 --> 00:19:02,144 DANNY AND SIPOWICZ DON�T FEEL SHE�S GOT MUCH FOR US. 402 00:19:02,177 --> 00:19:05,280 YOU�RE NOT GOING TO PURSUE THIS JERRY ANGLE? YOU�RE DOWN ON THAT? 403 00:19:05,313 --> 00:19:08,050 WE�LL GIVE YOU THE STATUS REPORT ONCE WE FINISH WITH THIS GIRL. 404 00:19:08,083 --> 00:19:10,719 WHICH THEY FEEL SHE�S HALF A WACK JOB, JOEY. 405 00:19:10,753 --> 00:19:12,955 SHE THOUGHT SHE SAW DUELING BUGS. 406 00:19:12,988 --> 00:19:15,123 I TOLD ANDY I SHOULD IMPERSONATE A CENTIPEDE, 407 00:19:15,157 --> 00:19:18,126 TRY AND JOG HER MEMORY. [ CHUCKLES ] 408 00:19:18,160 --> 00:19:20,095 SO, YOU�LL KEEP US POSTED? 409 00:19:20,128 --> 00:19:20,963 ABSOLUTELY. 410 00:19:22,798 --> 00:19:25,367 THANKS. 411 00:19:25,400 --> 00:19:26,735 AH, DON�T THANK US. 412 00:19:33,742 --> 00:19:35,911 OH, GOD. 413 00:20:03,439 --> 00:20:06,442 ALLS I�M GOING TO SAY ?? 414 00:20:06,475 --> 00:20:10,145 YOU DON�T WANT TO KNOW. 415 00:20:10,178 --> 00:20:12,815 THE LESS YOU KNOW, THE BETTER. 416 00:20:12,848 --> 00:20:16,251 THIS IS A 5?TON BAG OF CRAP. 417 00:20:17,986 --> 00:20:19,788 BELIEVE ME. 418 00:20:34,837 --> 00:20:38,641 IF THEY MAKE ME TESTIFY, I�LL GO BACK IN RESTRAINTS. 419 00:20:38,674 --> 00:20:40,042 WE�RE GOING TO TRY 420 00:20:40,075 --> 00:20:42,578 SO YOU DON�T HAVE TO TESTIFY. 421 00:20:42,611 --> 00:20:44,647 THANKS FOR ALL YOUR HELP. 422 00:20:49,852 --> 00:20:52,555 I GOT NOTHING. YOU GOT 24? 423 00:20:52,588 --> 00:20:54,757 I�LL GET YOUR BAG. 424 00:20:54,790 --> 00:20:56,459 THANKS FOR ALL THE COFFEE. 425 00:21:03,966 --> 00:21:05,834 WAS MY PRINTING TOO TINY? 426 00:21:12,808 --> 00:21:14,443 HI, DON. 427 00:21:14,477 --> 00:21:15,811 YOU JAMMED WITH WORK? 428 00:21:15,844 --> 00:21:17,813 OH, YEAH, WE GOT A STINKY ONE, 429 00:21:17,846 --> 00:21:19,948 BUT I�M NOT ON IT. 430 00:21:19,982 --> 00:21:21,950 WHY DIDN�T YOU COME UPSTAIRS? 431 00:21:21,984 --> 00:21:24,920 I DON�T THINK I�VE GOT A BIG FAN CLUB UP THERE. 432 00:21:24,953 --> 00:21:27,456 OH, WELL, THEY TAKE THEIR CUE FROM ME. 433 00:21:27,490 --> 00:21:29,558 SO MAYBE MY CASE ISN�T HOPELESS. 434 00:21:29,592 --> 00:21:32,394 I JUST WANT TO MAKE SURE I WASN�T OVERSTEPPING. 435 00:21:32,428 --> 00:21:34,029 ABOUT WHAT? 436 00:21:34,062 --> 00:21:36,031 I TOOK KYLE FOR HIS FITTING. 437 00:21:36,064 --> 00:21:38,434 OH, YEAH, I�M SORRY I PUNKED OUT ON THAT. 438 00:21:38,467 --> 00:21:40,769 OH, NO PROBLEM. NO, BUT WHILE WE WERE THERE, 439 00:21:40,803 --> 00:21:43,071 THEY HAD THE EXACT SUIT ON THE RACK 440 00:21:43,105 --> 00:21:44,707 THAT KYLE LOOKED AT 441 00:21:44,740 --> 00:21:47,075 WHEN WE WERE FIRST GOING THROUGH THE CATALOGS, AH. 442 00:21:47,109 --> 00:21:49,077 AND, YOU KNOW, IT�S MORE EXPENSIVE. AH. 443 00:21:49,111 --> 00:21:51,079 BUT IT IS HIS FIRST COMMUNION SUIT, 444 00:21:51,113 --> 00:21:55,818 AND, YOU KNOW, MAYBE HIS SON COULD WEAR IT SOMEDAY. 445 00:21:55,851 --> 00:21:58,053 ANYWAY, THE $65 EXTRA ?? 446 00:21:58,086 --> 00:22:00,656 THANK GOD NOW THE MONEY IS IN MY MEANS, 447 00:22:00,689 --> 00:22:03,191 BUT I JUST DIDN�T WANT TO FREELANCE 448 00:22:03,225 --> 00:22:05,193 A DECISION LIKE THAT. 449 00:22:05,227 --> 00:22:07,763 NO, IF YOU WANTED TO DO THAT FOR KYLE, 450 00:22:07,796 --> 00:22:10,232 I THINK THAT WOULD BE GREAT. 451 00:22:10,265 --> 00:22:12,400 I THINK HE�LL APPRECIATE THE GESTURE. 452 00:22:15,971 --> 00:22:18,106 ALL RIGHT, I�M GOING TO. 453 00:22:18,140 --> 00:22:21,243 OKAY. 454 00:22:21,276 --> 00:22:24,246 ANY CHANCE I MIGHT, UH, SHOW UP FOR A SECRET VISIT 455 00:22:24,279 --> 00:22:25,948 AFTER THE KIDS ARE ASLEEP? 456 00:22:29,151 --> 00:22:32,755 I TOLD YOU THAT WAS A ONE TIME ONLY. 457 00:22:32,788 --> 00:22:34,423 A MOMENT OF MUTUAL WEAKNESS. 458 00:22:34,457 --> 00:22:36,625 YEAH. 459 00:22:36,659 --> 00:22:40,395 OKAY, I�M GOING TO TAKE OFF BEFORE I GET A FIRM NO. 460 00:22:40,429 --> 00:22:42,097 HEY, DON? 461 00:22:42,130 --> 00:22:44,366 THAT WAS NICE ABOUT THE SUIT. 462 00:22:44,399 --> 00:22:46,935 OH, NO, I WANT TO DO IT FOR KYLE. 463 00:22:57,513 --> 00:23:01,149 ANONYMOUS CALL TO 911. 464 00:23:01,183 --> 00:23:03,919 SECTOR COPS FIND A GUY BEATEN IN AN ALLEY LAST NIGHT 465 00:23:03,952 --> 00:23:05,421 OFF LAFAYETTE. 466 00:23:05,454 --> 00:23:08,290 NO WITNESSES AT THE SCENE, WE CATCH THIS MORNING. 467 00:23:08,323 --> 00:23:10,926 AT THE E. R., THESE COPS TELL US 468 00:23:10,959 --> 00:23:13,295 WE WANT TO LOOK FOR A JERRY DePAULO. 469 00:23:13,328 --> 00:23:15,598 SAME COPS THAT FOUND THE GUY? YEAH. 470 00:23:15,631 --> 00:23:17,866 THEY DIDN�T CALL IN NIGHT WATCH? WHAT DID I JUST SAY TO YOU? 471 00:23:17,900 --> 00:23:19,635 AT THE E. R., 472 00:23:19,668 --> 00:23:22,037 THESE SAME COPS WHO FOUND HIM WHO BROUGHT THE GUY IN, 473 00:23:22,070 --> 00:23:24,640 TELL US THAT WE WANT TO LOOK AT A JERRY DePAULO 474 00:23:24,673 --> 00:23:27,042 FOR THE ASSAULT BECAUSE AN HOUR PREVIOUS, 475 00:23:27,075 --> 00:23:29,545 THEY HAD BROKE IT UP BETWEEN THEM TWO 476 00:23:29,578 --> 00:23:31,880 IN THAT VERY ALLEY, PLUS THROWING IN 477 00:23:31,914 --> 00:23:33,882 HOW AFTER THEY BROKE UP THE FIGHT 478 00:23:33,916 --> 00:23:36,318 AND SENT THIS JERRY ON HIS WAY, 479 00:23:36,351 --> 00:23:38,721 THEY ALSO HAD OCCASION TO HAND OUT A COUPLE OF MINOR SMACKS 480 00:23:38,754 --> 00:23:41,323 TO THIS GUY THAT WINDS UP IN THE HOSPITAL. 481 00:23:41,356 --> 00:23:44,226 THE GUY BROUGHT UP A LUNG?ER AND SPIT IN THE ONE COP�S FACE. 482 00:23:44,259 --> 00:23:48,396 IF THEY�RE MINOR SMACKS AND NO ONE�S ON THE SCENE, WHY GO ON RECORD? 483 00:23:48,431 --> 00:23:50,899 THEY DID SEE SOMEONE ELSE ON THE SCENE, BUT THEY DIDN�T WANT TO GIVE THAT UP. 484 00:23:50,933 --> 00:23:53,436 WE BRING IN THIS JERRY DePAULO. 485 00:23:53,469 --> 00:23:55,137 HE DON�T HAVE A CARE IN THE WORLD. 486 00:23:55,170 --> 00:23:56,905 HIM AND THE OTHER GUY DID BEEF IN THE ALLEY. 487 00:23:56,939 --> 00:23:58,541 THE COPS BROKE IT UP. 488 00:23:58,574 --> 00:23:59,875 HE WENT HOME, HE THREW A HUMP INTO HIS GIRLFRIEND 489 00:23:59,908 --> 00:24:02,244 SO MASSIVE HE ACTUALLY WOKE HER UP. 490 00:24:02,277 --> 00:24:04,246 HIS GIRLFRIEND BACKS UP HIS ALIBI 491 00:24:04,279 --> 00:24:06,148 FOR WHAT TIME HE GOT HOME? 492 00:24:06,181 --> 00:24:08,717 PLUS, AT THIS POINT, A C.I. OF MINE SAYS 493 00:24:08,751 --> 00:24:11,286 HE SAW THE COPS HAND THE BEATING OUT, AND ONE OF THE COPS SAW HIM. 494 00:24:11,319 --> 00:24:13,121 WHICH GIVES YOU YOUR INKLING WHY THESE COPS GIVE US 495 00:24:13,155 --> 00:24:15,257 THIS BAG OF CRAP AT THE EMERGENCY ROOM ?? 496 00:24:15,290 --> 00:24:18,260 SO THEY COULD BE ON RECORD WHEN THIS WITNESS COMES FORWARD. 497 00:24:18,293 --> 00:24:20,729 AT THIS POINT, THE GUY GOES D. O. A. 498 00:24:20,763 --> 00:24:23,031 NEVER REGAINS CONSCIOUSNESS? 499 00:24:23,065 --> 00:24:26,068 HE GOES D. O. A. WITHOUT EVER REGAINING CONSCIOUSNESS ?? 500 00:24:26,101 --> 00:24:27,770 THIS POODLEHEAD MIKEY. 501 00:24:27,803 --> 00:24:30,406 WE RE?CANVASS, COME UP WITH THE WITNESS WHO MADE THE 911 CALL. 502 00:24:30,439 --> 00:24:33,375 SAID SHE SAW THE WHOLE THING. THE ONLY BEATING CAME FROM THE COPS. 503 00:24:33,409 --> 00:24:35,944 NO ONE ELSE CAME INTO THAT ALLEY FROM THE TIME THEY HANDED THE BEATIN� OUT 504 00:24:35,978 --> 00:24:38,581 TILL THE TIME THE COPS COME BACK. 505 00:24:38,614 --> 00:24:40,783 WHO ARE THE COPS? 506 00:24:42,585 --> 00:24:45,320 JOE BRADSHAW AND NEIL BAKER. 507 00:24:45,353 --> 00:24:48,290 NEIL BAKER, THAT EIGHT MONTHS AGO, 508 00:24:48,323 --> 00:24:50,626 YOU STOOD UP FOR, AND I CLEAR? 509 00:24:53,662 --> 00:24:56,599 [ SIGHS ] 510 00:24:56,632 --> 00:24:58,767 YOU GOT TO GET THEIR STATEMENTS. 511 00:24:58,801 --> 00:25:00,302 THE HELL WE DO. 512 00:25:00,335 --> 00:25:02,037 WHAT, DID YOU JUST RETIRE? 513 00:25:02,070 --> 00:25:03,772 DO BAKER AND BRADSHAW KNOW YOU LIKE THEM? 514 00:25:03,806 --> 00:25:05,741 THEY SENSE THEY�RE A FEW LENGTHS IN FRONT. 515 00:25:05,774 --> 00:25:06,742 THEY DON�T KNOW. 516 00:25:06,775 --> 00:25:08,711 NO, THEY DON�T KNOW. 517 00:25:08,744 --> 00:25:10,713 WHAT THEY DO KNOW... YOU AREN�T COPS 518 00:25:10,746 --> 00:25:13,081 THAT CALL I. A. B. IN OVER A MINOR TUNE?UP, 519 00:25:13,115 --> 00:25:15,150 SO IF I�M DOING THE INTERVIEW, 520 00:25:15,183 --> 00:25:17,520 THEY�RE HOLDING THE BAG FOR A HOMICIDE. 521 00:25:19,287 --> 00:25:23,391 YOU�RE NOT WATCHING US BEHIND THOSE DOUBLE MIRRORS. 522 00:25:23,426 --> 00:25:25,794 I�M NOT TALKING TO THEM AND LYING, 523 00:25:25,828 --> 00:25:27,796 AND NOBODY�S LISTENING. 524 00:25:27,830 --> 00:25:29,765 NO, I DON�T HAVE TO WATCH. 525 00:25:44,647 --> 00:25:46,148 HOW WE DOING? 526 00:25:55,424 --> 00:25:57,926 I�M GOING TO TELL YOU WHAT WE KNOW, 527 00:25:57,960 --> 00:26:00,563 AND I�M GOING TO TELL YOU WHERE YOU STAND. 528 00:26:00,596 --> 00:26:03,532 WHEN I�M DONE, AND YOU TALK, YOU BETTER NOT COME OUT WITH A LIE, 529 00:26:03,566 --> 00:26:05,367 BECAUSE THE ONLY CONVERSATION BETWEEN YOU 530 00:26:05,400 --> 00:26:07,135 AND A COP NOT FROM I. A. B. 531 00:26:07,169 --> 00:26:08,937 IS GOING TO BE THIS CONVERSATION. 532 00:26:08,971 --> 00:26:10,573 THE MINOR TUNE?UP ?? 533 00:26:10,606 --> 00:26:12,608 YOU DRIVIN� OFF AND COMING BACK AN HOUR LATER 534 00:26:12,641 --> 00:26:14,577 TO SEE MIKEY BEEN BEATEN BY SOMEBODY ELSE? 535 00:26:14,610 --> 00:26:16,579 LET GO OF THAT, NEIL. 536 00:26:16,612 --> 00:26:19,214 WE GOT TWO WITNESSES PUT YOU IN THAT ALLEY, 537 00:26:19,247 --> 00:26:22,951 AND NO ONE COMING IN OR OUT EXCEPT YOU AND BRADSHAW WHEN YOU CAME BACK. 538 00:26:22,985 --> 00:26:24,487 WHAT ABOUT WHAT WE TOLD YOU? 539 00:26:26,154 --> 00:26:28,557 TO TELL YOU WHAT HAPPENED 540 00:26:28,591 --> 00:26:31,026 WOULD BE TO RAT OUT MY OWN PARTNER. 541 00:26:31,059 --> 00:26:32,761 WELL THEN FIND ANOTHER WORD FOR IT, 542 00:26:32,795 --> 00:26:35,030 �CAUSE YOU ARE ABOUT TO BURN DOWN. 543 00:26:35,063 --> 00:26:38,901 I�M TELLING YOU RIGHT NOW, I SWEAR ON MY LIFE, 544 00:26:38,934 --> 00:26:40,235 I WAS READY TO LEAVE. 545 00:26:44,473 --> 00:26:46,575 SO THIS POODLEHEAD MIKEY SPITS IN MY FACE 546 00:26:46,609 --> 00:26:48,577 AND WE�RE TRYING TO HELP. 547 00:26:48,611 --> 00:26:52,415 SO I TAKE HIM IN THE ALLEY, AND I BACKHAND HIM HARD, 548 00:26:52,448 --> 00:26:55,250 AND THEN I INSULT EVERY FEMALE MEMBER IN HIS FAMILY. 549 00:26:55,283 --> 00:26:58,320 THAT WAS ENOUGH FOR ME, BUT NOT FOR JOEY. 550 00:26:58,353 --> 00:26:59,755 SO JOE DOES WHAT? 551 00:26:59,788 --> 00:27:01,724 HE YELLS AT ME, 552 00:27:01,757 --> 00:27:03,626 WHICH ISN�T THE FIRST TIME HE�S DONE IT SINCE WE PARTNERED UP. 553 00:27:03,659 --> 00:27:05,628 "ASSHOLE SPITS IN YOUR FACE. 554 00:27:05,661 --> 00:27:08,263 "THAT�S ALL YOU�RE GOING TO GIVE HIM? 555 00:27:08,296 --> 00:27:10,633 NOBODY�S GOING TO RESPECT YOU ON THE STREET." 556 00:27:10,666 --> 00:27:12,034 YOU KNOW, TRYING TO PROVOKE ME, 557 00:27:12,067 --> 00:27:14,537 BUT I DIDN�T LET IT GET TO ME. 558 00:27:14,570 --> 00:27:16,439 JOE TOOK OVER ON MIKEY? 559 00:27:16,472 --> 00:27:18,407 LIKE YOU WOULDN�T BELIEVE. 560 00:27:18,441 --> 00:27:20,443 I MEAN, HE JUST ?? 561 00:27:20,476 --> 00:27:22,545 HE JUST DRILLS THE GUY. 562 00:27:22,578 --> 00:27:24,547 "YOU�RE A PUSSY, NEIL." BANG. 563 00:27:24,580 --> 00:27:27,115 "STAND UP FOR YOURSELF, NEIL." BANG. 564 00:27:27,149 --> 00:27:29,752 "THIS IS OUR STREET, NEIL." BANG. 565 00:27:29,785 --> 00:27:32,287 JOEY�S HAYWIRE AT THIS POINT ?? 566 00:27:32,320 --> 00:27:34,256 OUT OF HIS HEAD. 567 00:27:34,289 --> 00:27:37,392 JOEY SAID SOMEONE SAW US TAKE MIKEY INTO THE ALLEY. 568 00:27:37,426 --> 00:27:39,562 HE SAID HE RECOGNIZED THE GUY�S FACE, 569 00:27:39,595 --> 00:27:42,230 AND WE GOT TO GET THIS GUY AND SHUT HIM UP. 570 00:27:42,264 --> 00:27:44,399 SO YOU GO LOOKING FOR THE WITNESS. 571 00:27:44,433 --> 00:27:45,834 I WAS AFRAID OF JOEY. 572 00:27:48,070 --> 00:27:51,039 I WAS AFRAID OF WHAT HE MIGHT DO TO ME 573 00:27:51,073 --> 00:27:52,340 IF I WENT AGAINST HIM. 574 00:27:55,578 --> 00:27:58,113 WE WENT LOOKING FOR THE WITNESS. 575 00:27:58,146 --> 00:28:00,816 IT WAS AN HOUR TILL WE GOT BACK TO MIKEY. 576 00:28:00,849 --> 00:28:04,520 I KEPT YOU OUT ON THE STREET. 577 00:28:12,728 --> 00:28:16,231 I�VE MET ALL THE TOUGH GUYS I NEED TO, BRADSHAW. 578 00:28:16,264 --> 00:28:18,967 YOU WANT TO WASTE TIME PROVING YOU�RE ONE OF THEM, 579 00:28:19,001 --> 00:28:21,203 YOU�LL ONLY SHOW ME YOU�RE STUPID. 580 00:28:21,236 --> 00:28:23,105 WHAT�S IT ABOUT? YOU KNOW WHAT IT�S ABOUT. 581 00:28:23,138 --> 00:28:25,273 NO. YEAH. THAT ALLEY. 582 00:28:25,307 --> 00:28:27,109 WE TOLD YOU ABOUT THE ALLEY. 583 00:28:27,142 --> 00:28:29,211 YOU LIED. 584 00:28:29,244 --> 00:28:31,714 THE ONLY BEATING THAT D.O.A. TOOK WAS OFF YOU GUYS. 585 00:28:31,747 --> 00:28:34,650 YOU AND BAKER BEAT HIM TO DEATH. 586 00:28:34,683 --> 00:28:38,921 WE GAVE HIM A MINOR TUNE?UP AND SENT HIM ON HIS WAY. 587 00:28:38,954 --> 00:28:40,589 HOUR LATER, DISPATCH SENDS US BACK TO THE ALLEY, 588 00:28:40,623 --> 00:28:42,658 WE FIND THE GUY DOWN. 589 00:28:42,691 --> 00:28:44,893 THAT HOUR, SOMEONE ELSE GAVE HIM A BEATING ?? 590 00:28:44,927 --> 00:28:46,862 EITHER THAT JERRY WE GAVE YOU 591 00:28:46,895 --> 00:28:48,531 OR SOME OTHER SKELL. 592 00:28:48,564 --> 00:28:50,733 NO ONE ELSE WAS IN THAT ALLEY, BRADSHAW. 593 00:28:50,766 --> 00:28:53,436 FROM THE TIME YOU GAVE HIM HIS "MINOR TUNE?UP," 594 00:28:53,469 --> 00:28:56,238 THE HOUR THAT HE LAY THERE TILL YOU AND BAKER CAME BACK, 595 00:28:56,271 --> 00:28:58,574 NO ONE ELSE LAID A HAND ON HIM. 596 00:28:58,607 --> 00:29:00,476 YOU KNOW THIS? WE KNOW IT. 597 00:29:00,509 --> 00:29:01,710 �CAUSE COPS TOLD YOU? 598 00:29:01,744 --> 00:29:04,312 YOU DON�T WANT TO PLAY THAT CARD, ASSHOLE, 599 00:29:04,346 --> 00:29:07,950 NOT AFTER LYIN� IN OUR FACES AND PUTTING US IN THE MIDDLE OF THIS CRAP. 600 00:29:07,983 --> 00:29:09,718 YOU�RE PUTTING YOURSELF IN THE MIDDLE, 601 00:29:09,752 --> 00:29:11,820 DISREGARDING OUR WORD. 602 00:29:11,854 --> 00:29:15,290 OH, YOU FIGURE YOU AND BAKER ARE STILL ON THE SAME PAGE, HUH? 603 00:29:15,323 --> 00:29:17,960 BRADSHAW, PICTURE YOUR PUNK PARTNER WITH SORENSON 604 00:29:17,993 --> 00:29:19,962 IN THAT OTHER INTERVIEW ROOM. 605 00:29:19,995 --> 00:29:21,396 WHAT�S YOUR VISUALIZATION, HUH? 606 00:29:21,430 --> 00:29:23,398 IS BAKER DIGGING HIS SHOULDER IN, 607 00:29:23,432 --> 00:29:25,367 HOLDING UP THAT BIG BLUE WALL? 608 00:29:25,400 --> 00:29:27,302 I HOLD MY END UP. 609 00:29:27,335 --> 00:29:29,805 YOU HOLD UP THIS. 610 00:29:29,838 --> 00:29:32,808 ARE YOU TELLING ME I�VE LIED FOR COPS 30 YEARS 611 00:29:32,841 --> 00:29:35,277 SO YOU CAN GO CRAZY ON SOME STREET MUTT 612 00:29:35,310 --> 00:29:36,912 AND DO MURDER? 613 00:29:36,945 --> 00:29:39,281 NEITHER ME NOR BAKER MURDERED THAT GUY. 614 00:29:39,314 --> 00:29:41,917 YOU SMACK A SKELL BAD ENOUGH THAT HE�S HURT, 615 00:29:41,950 --> 00:29:44,820 YOU COLLAR HIM FOR DISCON AND BRING HIM TO THE HOUSE OR THE HOSPITAL. 616 00:29:44,853 --> 00:29:47,222 YOU DON�T LEAVE HIM LAY THERE TO DIE. 617 00:29:47,255 --> 00:29:50,125 IS THAT WHAT I DID, LEAVE HIM TO DIE? 618 00:29:50,158 --> 00:29:53,128 LOOK IN MY FACE AND CALL ME THAT KIND OF COP. 619 00:29:53,161 --> 00:29:55,130 HERE�S WHAT I GOT NOW, BRADSHAW ?? 620 00:29:55,163 --> 00:29:57,766 YOU�RE A GUTLESS SCUMBAG THAT BEAT A GUY UNCONSCIOUS 621 00:29:57,800 --> 00:30:00,135 AND LEFT HIM IN THE STREET TO DIE. 622 00:30:00,168 --> 00:30:02,137 YOU WANT TO SHOW ME DIFFERENT? 623 00:30:02,170 --> 00:30:05,608 MY GUTLESS SCUMBAG PARTNER LEFT HIM IN THE STREET. 624 00:30:05,641 --> 00:30:07,576 I WANTED TO BRING HIM IN. 625 00:30:07,610 --> 00:30:09,578 I WANTED TO BRING HIM IN, 626 00:30:09,612 --> 00:30:12,981 BUT MY GUTLESS SCUMBAG PARTNER FREAKS OUT. 627 00:30:13,015 --> 00:30:16,585 SOME GUTLESS SCUMBAG STREET SKELL SAW THE TUNE?UP 628 00:30:16,619 --> 00:30:19,054 AND RUNS FOR THE RADIO CAR TO GO AFTER HIM. 629 00:30:19,087 --> 00:30:21,824 I�D STARED AT THAT GUY. HE KNEW NOT TO MESS WITH US, 630 00:30:21,857 --> 00:30:23,792 BUT MY GUTLESS SCUMBAG PARTNER�S 631 00:30:23,826 --> 00:30:25,928 GOT TO JUMP IN THE RADIO CAR 632 00:30:25,961 --> 00:30:27,730 SO WE CAN TRY AND CHASE HIM DOWN. 633 00:30:27,763 --> 00:30:29,364 YOU NEVER FOUND HIM. 634 00:30:29,397 --> 00:30:31,767 WHICH WE NEVER FOUND HIM, AND I GOT TO LISTEN 635 00:30:31,800 --> 00:30:33,569 TO MY GUTLESS SCUMBAG PARTNER CRY, 636 00:30:33,602 --> 00:30:36,572 "WHAT ARE WE GOING TO DO? HE SAW US. WE GOT TO FIND HIM." 637 00:30:36,605 --> 00:30:40,308 TILL AN HOUR�S GONE WHILE WE LOOK FOR THAT SKELL 638 00:30:40,342 --> 00:30:42,478 TILL I CAN GET BAKER BACK TO THAT ALLEY. 639 00:30:45,080 --> 00:30:48,050 HE DIDN�T BEAT HIM. 640 00:30:48,083 --> 00:30:52,788 BAKER RAN, BUT YOU�RE WHO TUNED THAT GUY UP. 641 00:30:52,821 --> 00:30:56,058 I DID WHAT WAS APPROPRIATE. 642 00:30:56,091 --> 00:30:59,428 THESE ARE OUR STREETS. 643 00:30:59,462 --> 00:31:02,798 HE SPIT IN BAKER�S FACE. 644 00:31:02,831 --> 00:31:05,768 BAKER GIVES HIM ONE LITTLE BACKHAND? 645 00:31:05,801 --> 00:31:08,270 I DID WHAT HAD TO BE DONE. 646 00:31:29,592 --> 00:31:31,927 GIVE ME A HINT. 647 00:31:31,960 --> 00:31:34,730 "POODLEHEAD." 648 00:31:34,763 --> 00:31:36,799 I�M GLAD YOU LIKED IT, SWEETHEART. 649 00:31:36,832 --> 00:31:40,302 YEAH, I WANT TO SEE YOU IN IT AS SOON AS I GET HOME. 650 00:31:40,335 --> 00:31:41,937 IT WAS. 651 00:31:41,970 --> 00:31:44,072 IT WAS A NICE THING FOR DAD TO DO. 652 00:31:44,106 --> 00:31:45,441 HI. 653 00:31:45,474 --> 00:31:47,743 HI. 654 00:31:47,776 --> 00:31:49,545 SORRY YOUR CASE BROKE THIS WAY. 655 00:31:49,578 --> 00:31:51,480 YOU MAY TAKE A RIP 656 00:31:51,514 --> 00:31:53,882 FOR NOT NOTIFYING I. A. B. TILL THIS AFTERNOON. 657 00:31:53,916 --> 00:31:56,318 THOSE TWO COPS HAND US THEIR BAG OF CRAP. 658 00:31:56,351 --> 00:31:58,220 I KNOW WHAT YOU DID. 659 00:31:58,253 --> 00:32:01,890 WE�RE GOING TO TAKE A RIP FOR NOT PASSING THE BAG ALONG? 660 00:32:01,924 --> 00:32:05,060 THIS JOB MAKES MORE AND MORE SENSE. 661 00:32:05,093 --> 00:32:06,729 GOOD NIGHT. 662 00:32:06,762 --> 00:32:08,363 GOOD NIGHT. 663 00:32:08,396 --> 00:32:10,198 WHAT TYPE OF RIP YOU FIGURE? 664 00:32:10,232 --> 00:32:11,967 THEY�LL SEND ME BACK TO VIETNAM? 665 00:32:12,000 --> 00:32:14,570 IF YOUR FIVES ARE DONE, 666 00:32:14,603 --> 00:32:17,406 LEAVE THE VOUCHERING FOR GREG AND JAMES. 667 00:32:17,440 --> 00:32:22,044 THEY�LL RIP US FOR VACATION DAYS. 668 00:32:22,077 --> 00:32:23,779 WHEN�S THE LAST YOU TOOK VACATION? 669 00:32:23,812 --> 00:32:26,415 YEAH, GOOD. 670 00:32:28,016 --> 00:32:30,886 I GOT TO COOK DINNER. 671 00:32:30,919 --> 00:32:33,556 SUBMIT BOTH THEIR STATEMENTS, 672 00:32:33,589 --> 00:32:36,258 LET THE JURY DECIDE WHICH OF THESE BUMS IS A LIAR. 673 00:32:43,398 --> 00:32:45,067 I HAD A COUSIN. 674 00:32:45,100 --> 00:32:48,771 THIS TYPE DAY�S EVENTS TENDED TO PUT HIM IN A MOOD. 675 00:32:48,804 --> 00:32:52,040 BE THINKING, "THIS ISN�T WHAT I JOINED UP TO DO. 676 00:32:52,074 --> 00:32:53,776 WHAT ABOUT THESE COPS� FAMILIES?" 677 00:32:53,809 --> 00:32:55,411 WOULD HE GET PEOPLE 678 00:32:55,444 --> 00:32:58,080 OFFERING HIM ADVICE HE DIDN�T ASK FOR? 679 00:32:58,113 --> 00:33:00,883 WHEN HE WAS IN THAT TYPE HEAD?UP?HIS?ASS MOOD, 680 00:33:00,916 --> 00:33:02,451 HE�D GO OUT LOOKING 681 00:33:02,485 --> 00:33:04,787 FOR PEOPLE TO BUTT IN WITH THEIR OPINIONS, 682 00:33:04,820 --> 00:33:07,122 SAY WHAT HE WAS THINKING ABOUT HIMSELF 683 00:33:07,155 --> 00:33:09,091 SO HE COULD PUNCH THEM. 684 00:33:09,124 --> 00:33:11,694 THAT�S HOW HE DEVELOPED ENORMOUS CAREER MOMENTUM 685 00:33:11,727 --> 00:33:13,929 AND A WIDE CIRCLE OF FRIENDSHIP. 686 00:33:13,962 --> 00:33:16,799 OKAY, ANDY. 687 00:33:16,832 --> 00:33:20,035 YEAH, OKAY. GOOD NIGHT. 688 00:33:20,068 --> 00:33:21,403 GOOD NIGHT. 689 00:33:21,437 --> 00:33:23,138 YEAH, GOOD NIGHT. 690 00:33:25,273 --> 00:33:27,042 AHEM. 691 00:33:27,075 --> 00:33:29,712 UM... 692 00:33:29,745 --> 00:33:31,447 FEEL LIKE HAVING SOME DINNER? 693 00:33:31,480 --> 00:33:33,081 I�M GOOD, YOU KNOW? 694 00:33:33,115 --> 00:33:35,451 I�M JUST GOING TO DO THIS VOUCHERING MYSELF, 695 00:33:35,484 --> 00:33:37,285 TAKE, LIKE, 10 MINUTES. 696 00:33:37,319 --> 00:33:40,355 THANKS FOR HELPING ME WITH THE FIVES, DIANE. 697 00:33:42,357 --> 00:33:46,695 YOU EVER MET ANDY�S COUSIN ?? 698 00:33:46,729 --> 00:33:50,699 MR. HYDE? 699 00:33:50,733 --> 00:33:53,936 ALL RIGHT, WELL, 700 00:33:53,969 --> 00:33:55,938 GOOD NIGHT, THEN, DANNY. 701 00:33:55,971 --> 00:33:57,272 YEAH, TAKE CARE. 702 00:34:13,789 --> 00:34:20,362 [ READING ALOUD ] 703 00:34:20,395 --> 00:34:23,131 "UH?OH, THERE WE GO AGAIN 704 00:34:23,165 --> 00:34:24,767 "TO THE FIREFIGHTER�S HOUSE. 705 00:34:24,800 --> 00:34:27,970 GO, GO. GET THE WATER, TOO." 706 00:34:28,003 --> 00:34:30,973 ANY JOB YOU HAVE, YOU TRY AND HELP PEOPLE. 707 00:34:31,006 --> 00:34:32,975 THAT�S YOUR PURPOSE WITH A JOB ?? 708 00:34:33,008 --> 00:34:38,146 YOU EARN A LIVING, AND YOU TRY TO HELP. 709 00:34:38,180 --> 00:34:39,782 MASHED POTATOES. 710 00:34:39,815 --> 00:34:42,384 YEAH, THAT�S YOUR MASHED POTATOES THERE, 711 00:34:42,418 --> 00:34:44,386 RIGHT NEXT TO YOUR MEATLOAF 712 00:34:44,420 --> 00:34:46,054 THAT I PROBABLY OVERCOOKED. 713 00:34:46,088 --> 00:34:48,424 OKAY, COME ON, LET�S SIT DOWN AND EAT. 714 00:34:48,457 --> 00:34:50,392 COME ON. 715 00:34:50,426 --> 00:34:53,596 HERE. HERE YOU GO. 716 00:34:53,629 --> 00:34:56,364 SIT DOWN IN FRONT OF PETE THE BEAR. 717 00:34:56,398 --> 00:34:59,835 MMM, GOOD. 718 00:35:02,304 --> 00:35:05,107 WE HAVE TO SAY OUR PRAYERS, OKAY? 719 00:35:05,140 --> 00:35:06,442 PUT YOUR HANDS TOGETHER. 720 00:35:08,243 --> 00:35:11,213 BLESS THIS FOOD TO OUR USE 721 00:35:11,246 --> 00:35:14,149 AND US TO THY SERVICE. AMEN. 722 00:35:14,182 --> 00:35:15,651 AMEN. 723 00:35:21,990 --> 00:35:23,659 YOUR MOM IN HEAVEN ?? 724 00:35:23,692 --> 00:35:26,094 SHE HAD THAT GOAL WITH HER JOB ?? 725 00:35:26,128 --> 00:35:28,631 THEO, THEO, DON�T PLOP YOUR MASHED POTATOES 726 00:35:28,664 --> 00:35:30,232 ALL OVER THE TABLE. COME ON. 727 00:35:30,265 --> 00:35:32,234 JUST EAT UP. 728 00:35:32,267 --> 00:35:35,938 YOU HAD AN OLDER BROTHER I�LL COME TO TELL YOU ABOUT. 729 00:35:35,971 --> 00:35:39,141 HE ALSO TRIED TO HELP. 730 00:35:39,174 --> 00:35:41,910 I TRY TO BE HELPFUL. 731 00:35:41,944 --> 00:35:44,913 I�M HELPING YOU. 732 00:35:48,917 --> 00:35:51,887 YEAH, YOU�RE HELPING ME. 733 00:35:51,920 --> 00:35:53,889 YOU�RE HELPING ME BY NOT DISTRIBUTING 734 00:35:53,922 --> 00:35:56,825 YOUR MASHED POTATOES ALL OVER THE TABLE. 735 00:35:56,859 --> 00:35:59,127 I WANT TO GIVE YOU A KISS. 736 00:35:59,161 --> 00:36:02,698 YOU�RE GOING TO KISS ME IN THE MIDDLE OF DINNER? 737 00:36:02,731 --> 00:36:05,100 I�M GOING TO KISS YOU. 738 00:36:05,133 --> 00:36:08,036 ALL RIGHT. 739 00:36:08,070 --> 00:36:10,305 [ SMACKS LIPS ] 740 00:36:13,609 --> 00:36:16,812 THAT�S VERY HELPFUL. 741 00:36:16,845 --> 00:36:18,180 I�M HELPING YOU. 742 00:36:21,484 --> 00:36:25,120 YOU HELPED ME WITH THAT KISS. 743 00:36:25,153 --> 00:36:26,455 THANK YOU VERY MUCH. 744 00:36:47,676 --> 00:36:51,079 ANOTHER ONE. 745 00:36:51,113 --> 00:36:53,081 SHANNON, YOU DON�T WANT TO KNOW 746 00:36:53,115 --> 00:36:55,718 HOW MY SISTER LORI IS? 747 00:36:55,751 --> 00:36:57,720 FIGURE THIS CITY�S SAFER TONIGHT, DANNY? 748 00:36:57,753 --> 00:37:00,088 YOU TOOK TWO COPS OFF THE STREET. 749 00:37:00,122 --> 00:37:02,491 THEM TWO COPS? YEAH, THE CITY�S SAFER. 750 00:37:02,525 --> 00:37:04,126 YOU KNOW THE CASE. 751 00:37:04,159 --> 00:37:07,062 TRUE, THAT. 752 00:37:07,095 --> 00:37:08,431 SAY HI TO LORI. 753 00:37:08,464 --> 00:37:10,398 YEAH, ALL RIGHT. 754 00:37:35,157 --> 00:37:36,959 HOW�S IT GOING? 755 00:37:36,992 --> 00:37:39,928 THE 20 I BORROWED. 756 00:37:39,962 --> 00:37:42,230 I�D LIKE TO TALK TO YOU ABOUT THE CASE. 757 00:37:42,264 --> 00:37:46,034 I DON�T KNOW I�D WANT TO BE TALKING ABOUT IT TOO MUCH. 758 00:37:46,068 --> 00:37:48,136 IF IT WAS YOU, MAYBE YOU�D KNOW 759 00:37:48,170 --> 00:37:51,073 THERE WAS A BIG MARGIN YOU GOT THE WRONG TWO GUYS. 760 00:37:51,106 --> 00:37:53,409 THIS IS WITHOUT ME. 761 00:37:53,442 --> 00:37:56,244 WE�LL MUDDLE THROUGH. 762 00:38:01,249 --> 00:38:04,453 SO WHAT DO YOU WANT TO SAY? 763 00:38:04,487 --> 00:38:08,256 I WANT TO SAY THIS CASE BROKE DIFFICULT ENOUGH TODAY 764 00:38:08,290 --> 00:38:10,626 WHERE EVERY TIME I GLANCED IN YOUR DIRECTION, 765 00:38:10,659 --> 00:38:12,928 I DIDN�T NEED DISAPPROVING MYSTERY LOOKS, 766 00:38:12,961 --> 00:38:16,031 OR YOU ACT LIKE I ENJOYED SCARING THAT GIRL. 767 00:38:16,064 --> 00:38:19,401 I WAS TRYING TO SHAKE HER OFF HER STORY. 768 00:38:19,435 --> 00:38:21,136 YOU WENT TOO FAR. 769 00:38:21,169 --> 00:38:23,972 I WAS HOPING SHE�D MOVE OFF THOSE COPS. 770 00:38:24,006 --> 00:38:25,974 ARE YOU USUALLY OFF BASE THIS FAR 771 00:38:26,008 --> 00:38:27,776 ON WHAT�S ON PEOPLE�S MINDS? 772 00:38:27,810 --> 00:38:29,778 I COULD SEE IT SLOWING DOWN YOUR DETECTIVE WORK. 773 00:38:33,348 --> 00:38:35,551 ANYWAY, WHO�S OUR MUTUAL ACQUAINTANCE, FRANCO, 774 00:38:35,584 --> 00:38:37,553 THAT YOU CAN CRACK WISE 775 00:38:37,586 --> 00:38:39,221 I DON�T LIKE GETTING STIRRED UP? 776 00:38:39,254 --> 00:38:41,457 TAMMY SIMPSON. 777 00:38:41,490 --> 00:38:43,759 THAT I DATED TWICE. 778 00:38:43,792 --> 00:38:46,061 MY GIRLFRIEND WHO I WAS IN THE ACADEMY WITH. 779 00:38:46,094 --> 00:38:48,864 I HOPE NOBODY SHARES MISSILE INFORMATION WITH HER. 780 00:38:48,897 --> 00:38:51,099 THE WHOLE THING SHE SAID 781 00:38:51,133 --> 00:38:56,271 WAS YOU WERE THIS SWEET GUY WHO WAS TOTALLY CONFUSED, 782 00:38:56,304 --> 00:38:59,274 AND YOU PUSHED HER AWAY WHEN YOU WANTED TO HOLD HER. 783 00:38:59,307 --> 00:39:02,277 AND THIS CAUSED YOU TO HATE ME. 784 00:39:02,310 --> 00:39:04,279 NO, I GUESS IT PROBABLY CAUSED ME 785 00:39:04,312 --> 00:39:05,748 TO BE INTERESTED IN YOU. 786 00:39:08,116 --> 00:39:10,453 YOU THINK THERE�S ONLY ROOM ON EARTH 787 00:39:10,486 --> 00:39:12,187 FOR ONE CONFUSED PERSON? 788 00:39:18,961 --> 00:39:22,230 FRANCO, YOU WANT TO COME HOME WITH ME? 789 00:39:25,901 --> 00:39:27,169 YEAH, ALL RIGHT. 790 00:40:08,511 --> 00:40:11,647 WAIT. WAIT. WAIT. 791 00:40:11,680 --> 00:40:12,881 WHAT�S THE MATTER? 792 00:40:12,915 --> 00:40:14,783 I�M NOT COMFORTABLE. 793 00:40:14,817 --> 00:40:17,553 OKAY. LET�S GET COMFORTABLE. 794 00:40:17,586 --> 00:40:20,388 C?CAN WE JUST STOP? 795 00:40:20,423 --> 00:40:24,092 STOP COMPLETELY? SURE. 796 00:40:29,765 --> 00:40:32,635 I?I�M SORRY. I�M JUST NOT COMFORTABLE DOING THIS. 797 00:40:32,668 --> 00:40:35,771 I KNOW I CAME UP HERE WITH YOU. 798 00:40:35,804 --> 00:40:39,542 I JUST GOT SCARED ALL OF A SUDDEN. 799 00:40:39,575 --> 00:40:42,645 THAT HAPPENS, I GUESS. 800 00:40:42,678 --> 00:40:45,047 I�M JUST GOING TO GO, ALL RIGHT? 801 00:40:45,080 --> 00:40:47,049 I�M VERY SORRY. 802 00:40:47,082 --> 00:40:49,184 ALL RIGHT. 803 00:40:52,254 --> 00:40:54,222 ALL RIGHT. 804 00:40:54,256 --> 00:40:57,359 [ SOBBING ] 805 00:41:01,730 --> 00:41:04,232 NOTHING WRONG IS GOING TO HAPPEN HERE. 806 00:41:04,266 --> 00:41:06,234 YOU WEREN�T DOING ANYTHING WRONG. 807 00:41:06,268 --> 00:41:08,871 WHEN I SAW YOU IN THE BAR TONIGHT, 808 00:41:08,904 --> 00:41:11,239 I WENT FROM LOOKING FOR A FIGHT 809 00:41:11,273 --> 00:41:13,876 TO JUST WANTING TO KEEP COMPANY. 810 00:41:13,909 --> 00:41:17,946 AND I WANTED TO KEEP YOU COMPANY. 811 00:41:17,980 --> 00:41:22,718 SO YOU JUST WANT ME TO HOLD YOU? 812 00:41:22,751 --> 00:41:25,554 DO YOU MIND JUST HOLDING ME? 813 00:41:25,588 --> 00:41:27,556 NO, I�LL JUST HOLD YOU. 814 00:41:27,590 --> 00:41:29,558 HERE, TAKE YOUR PANTS OFF ?? 815 00:41:29,592 --> 00:41:31,560 STRICTLY FOR HOLDING PURPOSES ONLY. 816 00:41:31,594 --> 00:41:33,796 I�M NOT GOING TO DO ANYTHING. 817 00:41:33,829 --> 00:41:36,064 WE�LL JUST LAY BACK RIGHT HERE 818 00:41:36,098 --> 00:41:38,434 UNTIL WE GET IN A MORE PERMANENT POSITION 819 00:41:38,467 --> 00:41:39,968 UNDER THE COVERS 820 00:41:40,002 --> 00:41:42,370 WHERE NOTHING IS GOING TO HAPPEN ALSO. 821 00:41:42,405 --> 00:41:45,708 HA HA HA HA HA. 822 00:41:45,741 --> 00:41:47,075 OKAY? 823 00:41:47,109 --> 00:41:49,445 YEAH. 824 00:41:49,478 --> 00:41:52,147 THAT�S GOOD. 825 00:42:00,756 --> 00:42:03,726 THAT�S JUST WHAT I WANTED TONIGHT ?? 826 00:42:03,759 --> 00:42:05,661 JUST KEEPING COMPANY WITH YOU. 827 00:42:19,508 --> 00:42:22,244 Captioned by VISUAL DATA Your Closed Captioning Resource ??www.visualdatainc.com?? 828 00:42:22,277 --> 00:42:29,284 ? ?